NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.
- Won 2 Oscars
- 31 wins & 59 nominations total
Michele Little
- Jane Conrad
- (as Michelle Little)
Storyline
Did you know
- TriviaIn a commentary track,Marilyn Lovellcomments thatTom Hanksexactly portraysJim Lovell's mannerisms and style of movement.
- GoofsBefore re-entry, the crew were informed that their course was shallowing because they did not have the lunar samples that would have been gathered if they had landed on the Moon. This is incorrect. Just as Galileo (and the Apollo 15 astronauts) showed that objects of different mass fall at the same rate in a vacuum, Apollo 13's trajectory wasn't affected by its mass. The actual cause was the lunar module cooling system that evaporated water into space, creating an unintended and small but significant thrust. Ballast WAS transferred to the CM to shift its center of gravity for proper aerodynamic lift and steering during the actual re-entry.
- Quotes
NASA Director:This could be the worst disaster NASA's ever experienced.
Gene Kranz:With all due respect, sir, I believe this is gonna be our finest hour.
- Alternate versionsA digitally remastered IMAX-format version was released in September 2002. It is about 20 minutes shorter in running time than the original theatrical version. Some of the missing scenes are the dinner that the astronauts have aboard the ship that results in Fred Haise being sick into a plastic bag, and Marilyn Lovell telling the off the press.
- ConnectionsEdited intoAustin Powers: The Spy Who Shagged Me(1999)
- SoundtracksWaiting
Written byCarlos Santana,David Brown,Gregg Rolie,Michael Shrieve(as Mike Shrieve),Jose Chepito Areas(as Jose Areas), andMike Carabello
Performed bySantana
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
Featured review
Probably one of the most significant things about Apollo 13 is the fact that it managed to be such a strikingly realistic film despite the abundance of well-known Hollywood actors. Tom Hanks, of course, can convincingly act any part in the world, and his role in Apollo 13 is no exception. All of the actors involved seemed to have been given parts that they were born to play, because they were so successful in the roles. The true events of the historic Apollo 13 mission are amazingly re-created here, and the results are spectacular.
Not only is this film wonderfully acted, it also presents a nearly flawless portrayal of the time period, even down to the slide rulers that were used to do calculations. The audience is literally taken back in time to the 1960's, and all of these universally exciting events are brought back to life, and this is one of the things that makes this movie so special. So many films try to do this, and the vast majority of them fail miserably, so it just feels so good to occasionally see it done right.
Another thing that was used in the perfect amount in Apollo 13 was the special effects. I am entirely against excessive special effects, because if they aren't justified in being in the film, they can sometimes ruin the film by themselves (remember The Perfect Storm?). The special effects in Apollo 13, however, served the film very well. Of course, the most significant special effect in the film, aside from the space scenes, was the zero gravity, which was done flawlessly. I'm just glad that they decided to go up in one of those Zero-G planes for these scenes, rather than have the actors drift lazily around and act as if they are in zero gravity, because that would have taken a lot away from the film.
Apollo 13 has an excellent story made even better by the fact that it is true, it has great acting, skillful direction, and plenty of tasteful humor. It is not only a highly entertaining film, but is also educational, which should please parents (as if they need any more pleasing than seeing their younger years brought back to life on the silver screen). Definite must-see, Apollo 13 is a contemporary classic.
Not only is this film wonderfully acted, it also presents a nearly flawless portrayal of the time period, even down to the slide rulers that were used to do calculations. The audience is literally taken back in time to the 1960's, and all of these universally exciting events are brought back to life, and this is one of the things that makes this movie so special. So many films try to do this, and the vast majority of them fail miserably, so it just feels so good to occasionally see it done right.
Another thing that was used in the perfect amount in Apollo 13 was the special effects. I am entirely against excessive special effects, because if they aren't justified in being in the film, they can sometimes ruin the film by themselves (remember The Perfect Storm?). The special effects in Apollo 13, however, served the film very well. Of course, the most significant special effect in the film, aside from the space scenes, was the zero gravity, which was done flawlessly. I'm just glad that they decided to go up in one of those Zero-G planes for these scenes, rather than have the actors drift lazily around and act as if they are in zero gravity, because that would have taken a lot away from the film.
Apollo 13 has an excellent story made even better by the fact that it is true, it has great acting, skillful direction, and plenty of tasteful humor. It is not only a highly entertaining film, but is also educational, which should please parents (as if they need any more pleasing than seeing their younger years brought back to life on the silver screen). Definite must-see, Apollo 13 is a contemporary classic.
- Anonymous_Maxine
- Jan 29, 2001
- Permalink
Details
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $173,837,933
- Opening weekend US & Canada
- $25,353,380
- Jul 2, 1995
- Gross worldwide
- $355,237,933
- Runtime2hours20minutes
- Color
- Sound mix
- Aspect ratio
- 2.39: 1
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