In the face of increasingly bizarre and powerful Angel attacks, Shinji Ikari and his partner Rei Ayanami are assisted by two new pilots: the fiery Asuka Langley Shikinami and the mysterious...Read allIn the face of increasingly bizarre and powerful Angel attacks, Shinji Ikari and his partner Rei Ayanami are assisted by two new pilots: the fiery Asuka Langley Shikinami and the mysterious Mari Illustrious Makinami.In the face of increasingly bizarre and powerful Angel attacks, Shinji Ikari and his partner Rei Ayanami are assisted by two new pilots: the fiery Asuka Langley Shikinami and the mysterious Mari Illustrious Makinami.
- Awards
- 1 win & 2 nominations
- Shinji Ikari
- (voice)
- Rei Ayanami
- (voice)
- …
- Gendo Ikari
- (voice)
- Maya Ibuki
- (voice)
- Ryoji Kaji
- (voice)
- Makoto Hyuga
- (voice)
- Shigeru Aoba
- (voice)
- Kensuke Aida
- (voice)
- Toji Suzuhara
- (voice)
- Kiel Lorenz
- (voice)
- Hikari Horaki
- (voice)
- Kaworu Nagisa
- (voice)
- Additional Voices
- (English version)
- (voice)
Storyline
Did you know
- TriviaIn the many changes that the original plot had, the most dramatic changes are: In the anime, when the girls are in an elevator, Asuka slaps Rei for their passivity, while in this film, she tries to slap her and Rei stops the slap with her hand. In the series, Shinji only threatens to destroy the Geo-front, in the film, he does manage to meet this threat and he is seen destroying part of the Geo-front. Toji's younger sister is seen fully recovered in the film, but in the series, the fate of her is never know. In the film, Asuka is much more open with Shinji. For example, the scene of the series in which she lies beside him, she falls asleep and Shinji moves away, but the film she stays in bed and they counted each other's fears, with greater harmony between them that at other times. In the series, when the EVA-01 match against Zeruel, EVA-01 goes into Berserk mode alone, while in the film, Shinji does so at their own will. In the the series the EVA-01 also rebuilds the lost arm with a piece of Zeruel's ripped body, while in the film, the EVA 01 creates a sort of "condensed energy arm" which is also used as "cannon momentum" against Zeruel.
- GoofsMari is supposed to be British, but in the scene where she speaks in English, the accent is American.
- Quotes
Unit-01 Dummy Plug System:[during start-up, in reverse]Freedom is an illusion. All you will lose is the emotion of pride. To be dominated by me is not as bad for human pride as to be dominated by others of your species.
- Crazy creditsAt the end of the credits, there is a scene where EVA-01 is pierced with the LLance of Longinus, thrown by Kaworu Nagisa piloting the Evangelion Mark.06, who says that he will show Shinji "true happiness."
- ConnectionsFollowed byEvangelion Shin Gekijôban: Kyu(2012)
- SoundtracksBeautiful World -PLANiTb Acoustica Mix
Performed byHikaru Utada
Evangelion 2.0: You Can (Not) Advance (or 2.22 depending on the version you saw) is the most successful interpretation of Evangelion thus far. While the first remake film 1.0: You Are (Not) Alone felt much like a mere recap of the first six episodes of the series, the second film takes a different approach and reaches a remarkable level of success. Everything is smoother, more refined and simply better.
The animation is gorgeous. The plot is more understandable. The characters are actually all likable this time. Many elements of the story are different, and the pretentious biblical gibberish seems to have taken a back seat. There is also warmth that was largely missing in the series: the characters seem to be genuinely content with their lives. Shinji isn't constantly mumbling about hating himself. Rei isn't a completely emotionless robot. Even Gendo seems more human. As a very small, but important detail we see his eyes through his shades far more than in the series, which may not sound like much, but it really makes a difference if you've watched the series.
The story remains mostly the same. The events cover mostly what happens in the episodes 7-19 of the series, but with all the filler cut out. Only the most meaningful angel battles are left. Instead of feeling episodic like the first film, 2.0 actually feels like a proper movie with appropriate highs and lows and character development, culminating in a huge climax which is one of the most exciting action sequences ever seen in animation.
The animation is top of the class. The level of detail is simply eye- popping, especially when watched in HD. With the help of CGI the angel battles look cooler than ever, and the evas are particularly impressive. The fairly simplistic characters are something of a letdown in comparison, but don't drag the overall presentation down.
The sound is also vastly improved from the series. The music this time is appropriately epic, matching the scale and size of the evas and angels. The voice acting is on par with the series with most of the original cast reprising their roles. The ending song, an acoustic version of Utada Hikaru's "Beautiful World" feels perfect for the film, as if letting out a sigh of relief yet still leaving the feeling there's more to come.
Yet there are still problems Evangelion can't seem to get rid of. The biblical imagery and names, though downplayed in this film, still feel somewhat goofy and superficial. Though the plot is more coherent, it still is very weird and it can be hard to grasp what exactly the big picture is. There is some weird dialogue and lines like "Do you hate pain?". Still, the rest of the film is good enough that the viewer is willing to overlook most of the flaws.
Evangelion 2.0 is the best interpretation of the series thus far, and it left me eagerly waiting for more. I recommend seeing the 2.22 version, as it gives more insight to the characters and story. Highly recommended for both fans of the series and newcomers alike.
- tuomas_gimli
- Oct 23, 2012
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Evangelion: 2.0 You Can (Not) Advance
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $133,640
- Opening weekend US & Canada
- $84,157
- Jan 23, 2011
- Gross worldwide
- $41,780,025
- Runtime1hour52minutes
- Color
- Sound mix
- Aspect ratio
- 1.85: 1