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Theatre

15 July 2024

  • Caught … Red Speedo, about an elite swimmer who dopes.

    Hope, hopelessness and heroism: why theatre is making a splash with sport

  • Kristin Milward in The Trumpeter by Inna Goncharova at Finborough theatre, London.

    The Trumpeter review – a vital dispatch from the siege of Mariupol

14 July 2024

  • The Station Master and Mrs Brown greet a visitor to The Paddington Bear Experience.

    The Paddington Bear Experience review – the Marmalade Day jamboree must go on!

  • Tara Tijani (Lady Teazle) and Geoffrey Streatfeild (Sir Peter Teazle) in The School for Scandal by Sheridan @ Royal Shakespeare Theatre. A Royal Shakespeare Company production. Directed by Tinuke Craig. Alex Lowde, set and costume designer. Oliver Fenwick, Lighting Designer. D. J. Walde, Composer. Max Pappenheim. Sound Designer. Ravi Deepres, Video Designer. Ingrid Mackinnon, Movement Director. (Opening 09-07-2024) ©Tristram Kenton 06-24 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    The School for Scandal review – a triumph of style over substance

  • six actors on stage, two seated, a seventh, seated, obscured, looking at the central standing three – a woman gesturing to calm down as a man restrains another man

    The week in theatre: Slave Play; Skeleton Crew; Alma Mater – review

  • The cast of The Years photographed for the Observer New Review: Deborah Findlay, Anjli Mohindra, Romola Garai, Gina McKee and Harmony Rose-Bremner.

    ‘Each time I read one of her books, I wanted to read more’: five actors on bringing Annie Ernaux’s memoir to the stage

13 July 2024

  • Darius Williams and Tamara Lee Bailey for Moment I Knew

    The moment I knew
    The moment I knew: her smile cut through the freezing morning air and warmed me like nothing else

    As a teenager, Darius Williams had an unrequited crush on Tamara. Years later, a spontaneous confession would bring their paths back together
  • A picture of Edinburgh city

    ‘Relentless losses’ leave Edinburgh fringe venues fighting to recover from Covid slump

    Ahead of next month’s festival, the city’s performing arts economy faces uncertain future amid funding cuts, wage stagnation and lack of business acumen

    • On my radar
      On my radar: Cressida Cowell’s cultural highlights

    • Sisters of Mersey review – bawdy nun farce requires saintly forgiveness

    • Going out, staying in
      From Despicable Me 4 to Kylie in Hyde Park: a complete guide to this week’s entertainment

12 July 2024

  • Brian Logan

    Frightfully funny: is being roared at by a near-naked hardman really comedy?

    Brian Logan
  • Natalie Simpson and James Corrigan as Marianne and Stefan in Visit from an Unknown Woman.

    Visit from an Unknown Woman review – gripping study of obsession and fantasy

  • Paulina Lenoir in red dress, red gloves and red headpiece on black background

    Paulina Lenoir: Puella Eterna review – flamenco clown takes us from cradle to grave

  • Fuerza Bruta: Aven.

    Fuerza Bruta: Aven review – big on spectacle, hollow of heart

  • The musical that shows the true side of One Direction fans

  • Chariots of Fire review – breathless staging of classic Olympic dash

  • Oh, Mary! review – Cole Escola’s gloriously deranged historical romp

11 July 2024

  • Richard Gadd as Donny Dunn in Baby Reindeer

    Baby Reindeer reveals the shame and wonder of performing at the Edinburgh fringe

    Georgie Wyatt
  • Macbeth (An Undoing) Bojana Novakovic c Jeff Busby[1]

    Macbeth (An Undoing) review – Lady M takes over Shakespeare’s play … but what for?

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