Marcel Duchamp
Marcel Duchamp(Kok-chè Im-phiau:[maʀsɛl dyʃɑ̃]) (1887 nî7 goe̍h 28–1968 nî10 goe̍h 2) sī 1 êHoat-kokgē-su̍t-ka(āu—lâi tī1955 nîpìⁿBí-kok-chek). I ê chok-phín kap lí-liām tùiTē-jī-chhù Sè-kài Tāi-chiànliáu-āu êSe-iûⁿ bí-su̍t-kài ū chin toā ê éng-hióng. Lâng tiāⁿ-tiāⁿ kā i kapDada,Chhiau-hiān-si̍t-chú-gīê ūn-tōng khan chò-hoé, chóng—sī i tī Chhiau-hiān-si̍t-phài ê kak-sek chú-iàu sī kha-chhiah-āu—ê.
Ū chiok chē lâng siá chheh, bûn-chiuⁿ gī-lūn Duchamps ê chok-phín kap i ê su-sióng ê ì-gī. Tùi i lâi kóng, hit-koá kái-soeh oân-ná sī chhòng-chok; in hoán-èng kái-soeh ê lâng. I keng-koè i ê chok-phín thàm-thó gē-sut ê koè-thêng kaphêng-siau.Chhiūⁿ kóng i kā 1 chōjiō-chō(urinal) hō chògē-su̍t,hō-miâ "Choâⁿ-thâu" (Fountain). Āu—lâi sīm-chì pàng-sak bí-su̍t, choan-tô͘ kiâⁿse-iûⁿ-kî.I ê chok-phín bô chē; tong-sî êavant-gardetiâu-liû lóng ū chhap—tio̍h.
Seng-gâi[siu-kái|kái goân-sí-bé]
I pún-miâHenri-Robert-Marcel Duchamp,chhut-sì tī Hoat-kokHaute-Normandietē-tāi êSeine-Maritimeê chng-thâu, hō chòBlainville-Crevon.Ka-têng tiōng-sī bûn-hoà oa̍h-tōng, tī chhù-lāi sù-siông saⁿ-kap kiâⁿ-kî, tha̍k chheh, oē-tô͘, chàu im-ga̍k. Chhù—ni̍h ū koà chē-chē goā-kong Emile Nicolle êkoè-oēkapkhek-pánchok-phín.
Chheng-siàu-liân sî, khai-sí o̍h oē-tô͘, thâu-khí-seng sī o̍hÌn-siōng-chú-gīê hong-keh.
1927 nî6 goe̍h 8,kap Lydie Sarazin-Lavassor kiat-liân-lí, 6 goe̍h-ji̍t tō lî-iân.1954 nîkap Alexina "Teeny" Sattler kiat-hūn, it-ti̍t kàu Duchamps pia̍t- sắc.1955 nîi chiâⁿ chò Bí-kok kong-bîn.
Chok-phín kap bí-ha̍k su-sióng[siu-kái|kái goân-sí-bé]
Chò-piān-mi̍h[siu-kái|kái goân-sí-bé]
Duchamps khai-hoatchò-piān-mi̍h(readymades) chúngē-su̍t-phínê su-sióng. I kéng koá thong-sio̍k, chè-chō piān ê mi̍h-kiāⁿ, ū-sî ē sió kái—koè, án-ne kā hō chò gē-su̍t. Tī chit ê koè-têng, kéng 1 hāng mi̍h-kiāⁿ, hō 1 ê miâ, chhiam 1 ê jī, hit ê thong-sio̍k mi̍h tō pìⁿ-chiâⁿ gē-su̍t-phín. Duchamps tùi sûnsī-kak gē-su̍tbô chhù-bī, keng-thé kóng he sī "sī-bāng-mohgē-su̍t "(retinal art). Ūi beh cháu-chhoē pa̍t chióng piáu-hiān ê hoat-tō͘, i tī1915 nîkhai-sí siat-kè chò-piān-mi̍h. Hit-tang-chūn "chò-piān-mi̍h" sī iōng lâi khu-pia̍t kang-tiûⁿ chè-chō—ê kap thoân-thóng chhiú-kang chò ê mi̍h-kiāⁿ. I kéng piān-mi̍h te̍k-pia̍t kéng hit-koá "sī-kak-te̍k bô-bī-bô-sò͘" --ê (visual indifference). I ê soán-tek hoán-èng chhut i kāu-khoe-hâi, gâu sau-that, hèng kiâⁿ ài-māi ê hong-keh. I bat kóng: "...chū-pún to khài-liām iu-sian, m̄ sīsī-kakê lē...sī 1 chióng teh hò͘ⁿ-tēng chiōng gē-su̍t lâi tēng-gī ê khó-lêng- sắc ng "[bô chhut-chhù].
Duchamp hān-chè chò-piān-mi̍h ê sán-gia̍h, kui-sì-lâng ke̍k-ke chiah 20 kiāⁿ nā-niā. I kám-kak án-ne lâi hān-chè, i chiah ū hoat-tō͘ pī-bián poa̍h lo̍h-khìphín-bī(taste) ê hām-khut. I liáu-kái oân-nā siám-pī phín-bī oân-nā kéng mi̍h-kiāⁿ, chit 2 hāng chi-kan ū mâu-tún. Phín-bī, "hó" --ê ia̍h "bái" --ê, i kám-kak lóng sī gē-su̍t ê sí-te̍k.
